"Uh, I think the name was... Suicide Bot or something like that."
Suicide Bot has not been given an official name; as such, this name is purely conjectural. However, it will be used until an official name is released. |
- Not what you were looking for? See Endoskeleton (disambiguation).
“When Charlie saw the knife, the whole thing snapped into focus; she knew what the thing was, and she knew what it had been built for.” |
The suicide bot is an endoskeleton created by Henry Emily to commit suicide. The machine is mentioned in Five Nights at Freddy's: The Silver Eyes and appears in Five Nights at Freddy's: The Fourth Closet.
Physical Appearance[]
The suicide bot is a tall, roughly human shaped naked metal endoskeleton with twisting wires. The back of its skull is open, exposing the circuits. The features on its bare metal face are scarcely formed, crude, and shapeless. They are contorted and have a weeping expression.[1] Its blind eyes are only raised bumps, similar to those on a statue. In its hand is a large knife, which looks similar to a sword according to John[2].
In the graphic novels, the robot heavily resembles Endo-02 with a knife on a ball joint replacing their right hand.
Functionality[]
Its only function is to stab a person with its blade when activated. The blade is capable of piercing multiple bodies, seen in The Fourth Closet.
History[]
Backstory[]
- Note: Information gathered from TSE and TFC are grouped together to make the placement less confusing.
In 1985, Henry built this robot to commit suicide after finding out how far he fell into deep insanity and depression by deceiving himself that his daughter Charlie didn't die.
Before activating the robot, Henry sent a letter to his sister Jen, telling her that he lost his mind and to take care of Charlie. After Henry committed suicide, Jen picked up Charlie from school and went to Henry's house to get Charlie's clothes. As they walked through the door, Jen covered her niece's face so she couldn't see the bloody robot in the living room. After Charlie finished packing, they left Hurricane.
The Silver Eyes[]
The robot was mentioned by Charlie in Chapter 8 when she was recounting the events of her father's suicide to John. Charlie told him that she never saw her father's body. Charlie then recalled that her aunt covered her eyes so she wouldn't see the robot however, she managed to see a glimpse of the bloody robot, which was enough for the image to traumatize her[3]. When Charlie saw that it was holding a knife, she directly knew what it was and what it was built for.
The Fourth Closet[]
In Chapter 6, John found the robot in one of the closets when he and Jessica were hiding from Baby at Aunt Jen's house in Silver Reef, a ghost town near Hurricane.
The robot appears in Chapter 13. At Aunt Jen's house, after Charlie managed to attack Baby with a paperweight, she hid in a small hall closet. Looking for a place to hide from Baby in the small closet, she looked behind her and saw the robot. When Baby finally opened the closet door and closed the distance between them, Charlie flinched her hand, activating the robot. The knife then impaled them both, killing them almost instantly.
Trivia[]
- In Graphic Novel #1: The Silver Eyes and Graphic Novel #3: The Fourth Closet, the machine is depicted with no mask.
- Despite being the "murder" weapon, this robot was never confiscated by the police investigating the case.
References[]
- ↑ The Silver Eyes | "Even so, Charlie could see that they were contorted, almost grotesque: the thing would be weeping, if it could have wept."
- ↑ The Fourth Closet | "It was difficult to see through the hanging coats; and he began to shove them aside, then stopped abruptly, scarcely avoiding the blade of a massive knife—almost a sword—pointed directly at him."
- ↑ The Silver Eyes | "She stared at it for ages, though it could have been less than seconds, no more than a glimpse as Aunt Jen swept her up the stairs. Yet she had seen it so many times since then; when she slept, when she woke, when she unguardedly closed her eyes it would appear to her, the face pressing its way into her mind as it had pressed into the world."
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